Monday, February 21, 2011

Nikon Prostaff 4x32 Reviews

in 2000 - my first published story

Più che come ricordi o come flash di memoria si impongono come fotogrammi. Chiari e dolcemente in movimento, in una sequenza che non è la loro ma che soltanto di poco si dilata e rallenta per lasciarli guardare, gustare fino in fondo. Ne esco abbastanza male. Mi vedo in ginocchio nella polvere e nel fango del campino di via Rodari, con le mani ai fianchi a guardarlo scivolare via per l'ennesima volta in quei passettini scomposti ed a loro modo armonici, zompettare e scavalcare orsi fino a dieci metri dalla porta, poi tirare e cadere per l'impatto con la palla ed infilare per la quinta o la sesta volta il nostro Leo che, nonostante la riconferma, goalkeeper would not be ever. That was the last contest between the sections A and B, were in fifth grade, then we would have gone to great schools and the teams would change. We lost ten to four and it was, I swear, last time I felt hatred for Nino. Then the hate turned into admiration and affection, perhaps in friendship, partly because Nino ended up in my section D for three years and was my right wing. At the school of the great, which is something else entirely.
We just stuck to the green lawn of the classrooms full-time and played a lot more, almost every day, sometimes even when it rained, in those times when only the teachers think of anything else. It was in that year that he began Nino in a real team, in the last games of the season, with the jersey with the number sewn back and the true colors, red and blue, which seemed very seriously, meaning the years, and even smaller in stature calzoncioni those that came almost under his knees to kiss the socks, tied with white thread always too tight on the calf, on pain of movement and mobility of the ankle. We had twelve and Nino was really small. From the old wooden bleachers Fraticini former camp, with ice that defeated numbing me from the sun and I colored the right hand rose, I saw him warm up and get into the field ten minutes from the end, with fourteen shoulders to take over a seven battered and exhausted, I saw him break away from the bears, take a hit on the right , then a left to reach the ball and start the spell, that rock with leather that looked like part of the right foot, all mud and pain, all one, with the coach who yelled the first to pass the ball and then remained with his mouth open and the huge brown cigar dangling, to admire it, like me, small and uncoordinated, their way and jump over the boundary of the area cursed, and then a bear, the last, and then the shot and then down with the butt on the ground that it would not have learned anything, and the ball in the net and the goalkeeper, a bear, really, who still had to understand even just a comma, all that talk. My pink icicle came to earth, and maybe even a cigar brown coach. And he, Nino, not even rejoiced, seemed stunned, awed by the army of men older than him, and his friends gave him some envious and appalled pat on the back and said good, nothing more. He played the other two games as a starter and scored three more goals. The following year he was the idol of the team, the champion, and what mattered, for another two years, my right wing.
            Era piccolo piccolo, Nino, il più piccolo della classe, era scuro di pelle ed aveva i capelli e gli occhi nerissimi, i tratti forti e decisi anche in quel visino da bambino, inequivocabile figlio del sud e del Mediterraneo, le spalle strette e cadenti, le gambine corte e sottili, leggermente curvate all'interno come i giocatori veri, i piedini piccoli, quasi minuscoli, a prima vista inefficaci ad ogni eventuale ulteriore richiesta di equilibrio. Nino era piccolo ed era fuori dal branco, silenzioso, taciturno, cresciuto su una strada che non gli aveva regalato altro che quella leather sphere, no inhibitions, no impudence, that sounded rude or anything useful in life. He spoke little and learned with difficulty, and seemed sad. Many of us do not spared at all, and today the cynicism of that age can not help but remember with a smile, a bitter smile, loser, coward. We were nice and bright, our mothers were doing the race to buy the most beautiful sweater already looked at the girls and when we could even touched, rent porn movies with her brother of Sandro age and listened to rock music because it sounded demonic. Nino was the rat, the black man, even if the foul was not dirty, he knew only redeem himself with three hundred dribbles below and even seemed to want to do, not bragging, not showing, he was afraid. Maybe sometimes I too made fun of, perhaps cynicism or maybe because I just wanted to shake him and get him out of that sleep, I do not know, I know for a fact that art between his feet and began to love it enough, no envy, no jealousy, only love for that magical dance incorrect, the four steps for me worth the compensation and for the rest of the group, the multiplication of the sneers off the field.
In those years Nino played two good leagues, and was seen by the selection stravisto provincial and took it with him when Nino was already fifteen years, I do not know for how long, maybe two seasons, they told me that he soon returned to the local team and I only know that great Sample never took the right road, and never became a great champion. Something was missing, said the men and those of the Bar of campino Zotti, something small but important blow to decisis decisive moment, the coldness of the penalty taker at the last minute of the Cup final, character issues and just. They said he was afraid. These things I've never believed, but perhaps it was. Nino had many goals, he missed a few but very important penalties and missed seven out of eleven in his last championship with the Provincial. An amazing thing for me. However, at least by birth, growth, and we lost a bit 'all, each in pursuit of any one of many lives among which there happened to be able to choose from, all equal, all melancholy and sad approved, each with dreams stifled and repressed in the drawer closed , with the key thrown into the river, leaning against the iron railing of a routine to wait to see your body move, perhaps as late as possible. And he, who perhaps had not even a dream, that perhaps he was the only one of sixty-eight of this unfortunate class petty provincial town, which alone can aspire to something a bit ' not mean, well, he lost like us, a victim of everything and nothing, everyone and anyone, perhaps only of himself and of the narrow little head black, was lost to do the work of his father, a bricklayer and ' scaffold man, that I just can not imagine those little hands and legs in those from mouse, to pull up homes for the Bears. Sante, who fifty years and more of us from the windows of the Bar Zotti saw us all grow, Nino said that the shoes hanging from a nail fastened to aluminum, in his room, saying that when the nail is made weak and would be folded to make them roll on the ground, he probably would have sold my legs, and maybe that day would have said enough, but it is just another of the many stories that I have never believed.
His father died five years ago, the victim of a job poorly done; Nino left with his mother and four or maybe five or six brothers, one smaller than the other, almost all to put brick on brick and lime mortar. Then one of them, I think the eldest, was arrested for drug dealing in Rimini, when he was on vacation, three or four years ago. Salvatore, the only one who knew of view too, got married and went to live in Turin. The others do not know.
Nino has been missing for a year and nobody knows anything about him, not even his mother. Not even took away a bag, no nothing, said nothing to anyone, did not leave written anything, did not call, nothing. Someone swears he's gone off with Isaeva, a Bulgarian girl who attended a couple of months and that she too is gone. Gone, perhaps in Bulgaria. Some people think that they have kidnapped the Arabs, for it to play in an imaginary league interplanetary. Someone else thinks he's dead. Research has a rubber face and shit, and credibility hunted down the asshole, and they seem mute and resigned to anything.
I that I was wrong so many penalties in my life, perhaps all, this life that I've put on the to the sound of nails and blasphemies of aluminum on the world, here, I like many others I imagine with that piece of leather attached to the foot to kill bears in a Bulgarian pitch on the outskirts of Sofia, with his ass on the ground after a shot and broken Isaeva in the eyes of my eyes, I imagine, tall blonde and white, with shoes red and with all those smiles that Nino was left on the street. In her room has never been found any nail, and even the shoes, but found a drill hole on the wall behind the door, a tiny little hole, and you know, some legends are just die hard.
Fortunately, for us who we are.


[ Nino and lever football Class of '68 - story inspired by the (almost) same name song of Francesco De Gregori and winner of the "Words & notes," first year, organized by the Public Library of Empoli Florence - published in the homonymous (yes this time) special edition book Millelire Alternative Press, March 2000]

Nightclub Live Camera

Materiali... 2010

The last three books by Mario Benedetti form a dialectical reading them in parallel to understand the evolution of a poetic journey that reaches the synthesis of materials with an identity. The writing is composed of poetry, prose and a 'non-fiction text types "who does not embrace the logic and argumentation mechanisms characteristic of the genre: the links are organized by a conceptual ability to observe fully opera. The book continues the exploration of existential glory Human (2004) and black paintings on paper (2008): this writer is to find and recognize himself, experiences, things that belonged to him or belonging to him.
Materials identity is a key title: sense of identity is what has always dug Benedetti poem, and the materials are the culmination of this research. The identity is no longer recognized or alleged to the essences of things and people, but it crumbled into entities, bodies, atoms that make up our world and everything, but never particularly essential. For this all comes to coincide with nothing, with the void ("The defeat is the largest not be all '). Materials about a tendency towards the void, in the same way, in the persuasion and rhetoric, the image of the weight, which tends downwards is a metaphor for man's longing for the absolute. The work of Michelstaedter Benedetti is the topic on which you graduated: Join the reading of Bataille, Rilke, Sage, Celan, is the background of this writing. As the man Michelstaedter, the Materials I can not know things 'directly', but 'jointly', no longer able to communicate, but mean. The references to Bataille Michelstaedter are in a speculative summary: the idea of \u200b\u200ba poem 'fallen', 'enjoyment of subtracted images, "which consists of" ruins ", which is what the inner experience, is a common denominator of the ratio seen / invisible of the Duino Elegies, the links between unrelated signifiers in Sage, the poesia franta di Celan.

L’indagine esistenziale segue un processo di disumanizzazione. In Umana gloria le poesie hanno una trama, esiste un io che può ancora ricostruire l’esperienza vissuta: la testualità è spesso frammentata, ma la ricerca del soggetto è espressa con versi che la rendono esplicita al lettore. In Pitture nere la scrittura procede per automatismi: le esperienze non hanno più forme compiute e definite, la loro essenza si separa dalla loro materia, si disperde. La materia popola un universo nero in maniera disarticolata: colori, lacrime, reliquie, smalti, supernove sono punti di orientamento percettivi che restano sospesi. Nei Materiali, la «tipologia testuale saggistica» e la struttura recompose the book back to the dispersion. The first part, the tearing of the summit, about a poem that has lost heart, integrity, as a body that not only does not recognize the distinction between the physical and the psyche, but is reduced to "blood" (p. 41 ), its constituent material. If the body becomes the material of which it is composed, the I and you no longer have the ability to exist for one another, their experiences are among the many atoms that make up the universe, are half the land, half in the sky, with no possibility of genuine contact. The area populated by dehumanized materials is told in the closing section, biosphere: the final text, blue, and all the vacuum reaches a kind of balance almost ecstatic, as resolved, at peace. But no recurrence also the automatism of black paintings, which give the impression of a poem opened with an open meaning. Materials close to rear a poetic journey, leaving the ongoing existential questions. The search for Benedetti has reached the form of lyric-wise, but remains in the air, waiting.

Maria Borio

Tuesday, February 15, 2011

Bad Chest Infection Symptoms

Saturday, February 19 from 18.30 to Glue

Monday, February 14, 2011

How To Decorate Shower Doors

Counseling della Nutrizione presso la sede del Centro Studi Bhaktivedanta

Seminario tenuto da Roberto Innocenzi presso la sede del Centro Studi Bhaktivedanta a Ponsacco
Sito Web: www.csbcounseling.org

Sabato 5 Febbraio 2011
Tema: Counseling della Nutrizione

La nutrizione è intimamente connessa al benessere di ogni essere vivente e non si può parlare di buona salute se la nutrizione non è adeguata.
La persona ha bisogno di curare e rispettare il proprio corpo affinché esso sia efficiente, in modo che possa espletare tutte le funzioni necessarie per evolvere in sintonia con le leggi della Natura. Affinché questa meravigliosa creazione divina che è il corpo possa funzionare per favorire il percorso evolutivo dell'individuo, è necessario che vengano adeguatamente nutrite le miliardi di cellule di cui è composta. Tanto più correttamente la si nutrirà, tanto più a lungo e meglio potrà vivere. 
Le cellule sono unità intelligenti. Quando il corpo è sano, esse fanno sempre la cosa giusta al momento giusto, anche quando noi non ne siamo consapevoli, regolando perfettamente il nostro metabolismo per permettercidi esprimere tutte le nostre potenzialità fisiche, intellettuali e spirituali.
 Ogni forma di cibo, non solo fisico, ma anche psichico, produce un effetto diretto sulla regolazione del metabolismo e di conseguenza incide sul decorso patologico o sulla riattivazione del processo di guarigione. Per questo non sarà mai abbastanza l'importanza che diamo all’alimentazione.
 In questo seminario verrà trattato il tema della nutrizione e la sua influenza sul benessere generale dell'individuo e si conseguenza sulla qualità delle sue relazioni.

Domenica 6 Febbraio 2011

Tema: Tecniche di autoconsapevolezza: La Bioenergetica di A. Lowen

La bioenergetica è un modo di comprendere la persona osservando i suoi processi energetici. Questi processi, tra cui la produzione energy through breathing, their metabolisms to it and the discharge of energy in motion, are basic functions of life. The amount of energy that you have and use made of it determine the response to various situations of life. If you have more energy, this will lead to greater harmony in the ability of individual expression. But for this to happen we need to harmonize body, mind and soul as it is only in the perfect harmony between these different dimensions of being that you can aspire to reach a full well-being, supported by a high sense of integrity, love for others and aware of the relationship with the Divine. Thanks this sublime balance can be achieved that "state of grace" as difficult to achieve in everyday life and essential for our fulfillment.

Sunday, February 13, 2011

User Manual For Tekonsha Mark 12

Thursday, February 17 at 21.30 Vicchio



Thursday, February 17, 2011 21.30
Emiliano Gucci
has
HUMANITY
Public Library "Giotto" - Piazza Don Milani
Info: 0558448251 - biblioteca@comune.vicchio.fi.it


Saturday, February 12, 2011

Astigmatic Keratotomy

Il falso teorema del golpe morale

The false theorem coup moral
of Giuseppe D'Avanzo

The President of the Council, seventy-five years, held near the villa - for a fee - a prostitute for a few minor of months in 2010. This is done very stubborn despite the fog and the complaints. Case a question arises (Berlusconi has committed a crime?) And had some political effect. Let the song in a judicial question, for the moment.


We list some of the political outcome in a question. His behavior may be a good time, appropriate to the duties that free public wanted to hire?

As you can see, each of these questions is concrete, factual because it refers to national interests and our collective destiny. For this reason, public assumption of liability claims and demands urgently a political opinion, before the moral and legal obligations.

If we were in a country where public discourse is nurtured by good faith, disinterestedness and public spirit would find themselves (and confront) the scope of the questions the reasons for the institutional crisis that threatens to plunge the country into a civil war or
an inevitable decline. Unfortunately

il discorso pubblico nazionale è alimentato soltanto dalla manipolazione, dal falso indiscutibile organizzato a tavolino, da uno spettacolo che conserva la comunità nell'incoscienza dissolvendone ogni senso critico. "Confondere e non convincere" è la regola. Non è altra l'intenzione della manovra chiamata "in mutande ma vivi" lanciata da Giuliano Ferrara, oggi unico canovaccio politico-informativo a disposizione del premier. È il tentativo manifesto di accantonare la questione politica per trasformarla in questione morale. Il trucco offre l'opportunità di mettere su un'artefatta baruffa contro l'"ipocrisia moralistica" che liquida ogni responsabilità e rifiuta ogni giudizio.

Lontano dalle sue responsabilità and protected from any proceedings, the Re Nudo can save more time. And the country? Fuck them, the country!

comes to mind Moliere, Tartuffe ou l'Imposteur. Giuliano Ferrara's sermon against the "Republic of Virtue (The Grand Guignol is staged in a theater in Milan today) and should, wants to be - except for his underwear - terribly serious but it only blows air so the show is a burlesque 'imposture. When you touch the issue from any angle, or if they have money or issue any reason, charlatanism surfaces everywhere, with some comic spark. Induces rice Berlusconi designed by Andrea Fortina with the features of Justinian. It is farcical read the interview published by the Il Foglio, Mr. Berlusconi speaks of Ferrara, Ferrara, which is, in pasticheur poses Cardinal Mazarin, and never Berlusconi, a predator with hypertrophic I. And comic self-representation of Berlusconi, downgraded to a ventriloquist of Ferrara (but for how long?), As a champion of "a system based on freedom, tolerance, awareness on a real public and private morality."

In Italy has amazing memory and paralysis, however, hear those words and formulas - freedom, tolerance, public awareness, private conscience - sharpen their teeth wolf the head of government makes me cold to the bone. As a tolerance, if you still remember today's orders to the prefects to take fingerprints for the children in Roma camps or drive out into the sea pregnant women, newborns and immigrants seeking political asylum. What freedom whether in libraries in the Northeast has a free rein blacklist of unwanted books and therefore prohibited.

Where were the liberals who now poses servile defend the right of women to prostitute themselves when the government asked for the jail clients of prostitutes. Where they had dozed off Lent, when the ministers brought torture to drive away the specter of terrorism or government leaders called for the homophobia and discrimination on a different skin, a different faith, another place of birth, not even within the confines national, but too far south. How those mouths may say "freedom, tolerance" have in mind when deciding on the law of the state of our life and our death, our medical care and how much pain we can bear. And by the way of life, which speak the Dionysian life "immutandati - nicciani hand - if at every turn, remind us that life is not the highest good for mortals because there is always something different at stake in life than having children, as well as the sustenance of the living, even the salvation of the soul in this life or the afterlife.

Under the syntactical Franco Cordero would say, the prose of "immutandati" is mash or gruel. " In the language of Bran, "hot air" in Piedmont "Supa". "It is an indigestible crap that is only valuable to show how transparency in the agreement that calls Berlusconi is only obedience.

Children obey adults agree, but what consenting adults should" but in his underwear alive? "Berlusconi did not propose their idea, a program, not even a dream.

offers only himself, his inadequacy, their own survival, their impunity. You can feel truly" live "in obedience to a head without a thought other than his own personal gain?


Sunday, February 6, 2011

Puppy Birthday Sayings

Factory in my last novel


With Mario, close to retirement complicit in the one lavoro di imballaggio da svolgere in coppia. Non esiste, in fabbrica, tra tutta la varietà di mansioni, una peggiore di questa. Si tratta di pezzi da assemblare a caldo, non appena la scocca viene espulsa dallo stampo, cosa che accade ogni diciannove secondi. Se il pezzo madre si fredda, i pezzi complementari non s’incastrano più e va buttato via tutto. Il feeling nella coppia è indispensabile: uno degli operai recupera la scocca dalla buca, la pulisce dalle sbavature, ci applica i componenti; l’altro insacchetta l’oggetto compiuto, una pattumiera, ci mette il bollo della garanzia e l’adesivo con l’ISBN, ogni tre sacchi chiude una scatola e la ripone sul bancale di legno, ogni sedici scatole porta via il bancale and extends another, the dealer supplies of components, raw material of the caissons of the press pad color to the hopper.
We are working for seven hours in this vortex. It still lacks. We exchange data three times, once every two hours, so now would be to Mario, to the end of the round, breaking his hand and swear to fit those pieces before mom to cool.
is exhausted. It was off the gloves, it helps with pliers, sweats es'affanna to keep pace with the car, but do not take it anymore. He has experience on his side and some tricks earned on the field, he has against age, the lungs, forearms that are no longer those of the past, the fingers anesthetized who no longer know what they touch. Her eyes shining with anger and do not know what it is less offensive, yet propose a change or let us try to the last drop.
continue my spiel pretending not to notice his discomfort. There is an air weighs between us, friendship and hatred. Then Mario does everything by itself. I think that age knows how to teach, too. Lay down the tongs and stop the press, so that seems random, but is instead in the one useful step to avoid compromising the cycle. For forty seconds could be like this, to open jaws, fuming, with nothing is not damaged and no one noticing, not even studying the numbers at the end of production. They look at me, he and the press, and I do not know which of the two appears to be less depressing. I am about to take his place, beyond the bar of steel and wood inlaid with women and football challenges, political zero. Mario takes me by the wrist and tightens. His hands are still strong, rough sounding almost comforting.
"If you do not, ask the leaders," he says. "It is unfair that you sacrifice for me."
not tell him, if not shaking in my turn his wrist orangutan, with his left hand, to ensure that the right to free me and let me hang up the job. Extension in place, I press the red button that makes restart the dance. I put on my gloves.

(from Humanity , Elliot, 2010)